Graffiti inspired shapes collide with music, movement and instinct, forming raw, expressive compositions that pulse with energy. This body of work explores the beauty that emerges from chaos.
A global snapshot of Krige’s footprint on walls around the world. From rooftops to train tracks to international commissions, these works capture the urgency, scale and spontaneity of his craft, formed out of necessity during his time painting the streets.
The centrepiece of Krige’s first solo show: London’s largest unlicensed mural. Inspired by Picasso’s Guernica, this work confronts our modern obsession with conflict, spectacle and suffering especially among his generation. The mural critiques how war is packaged, consumed and aestheticised in a culture addicted to violence as entertainment.
Krige commandeers public advertising spaces, transforming bus stop posters into guerrilla exhibitions. These interventions challenge who gets visibility in cities and bring art directly to the streets.
A window into the studio; sketches, studies and small-scale experiments that reveal Krige’s process, obsessions and evolving ideas. The groundwork for larger paintings, murals and exhibitions.